Tuesday 27 June 2017

MERZBARN / HUMAN ORGANS / CAROLYN FRANCIS / LAKELAND FIDDLERS / REPETITION




The Merzbarn was Kurt Schwitters' last workplace, and was the site of the last of his monumental Merz works. The piece,assembled from cement and found objects. was built onto and into the wall of a barn on the Cylinders Estate at Elterwater, a few miles from Ambleside.
The Merzwall itself is in the Hatton Gallery at Newcastle but under the stewardship of Littoral's Ian Hunter and Celia Larner the barn and the land around it continue to hum.

The site hosts a variety of arts practice, regular conferences, symposia and celebrations attracting artists, students, schools groups and academics. On June 24th and 25th the Merzbarn held a celebration of Schwitters' arrival in the Langdale valley, and The Human Organs played after poet Jill Rock's reading of Anna Blume.




This is the first appearance of the Four Person line up, so left to right you'll see Neil Wade, Jo Wade, me, and Jamie McPhie..these two videos from Alex record two chunks of what may evolve into some sort of offgrid ritual trance thing, in which we were joined by Trombonist Carolyn Francis and the Lakeland Fiddlers, who played some great tunes outside the Merzbarn earlier in the day and at the church in the morning. . We've been wondering about wether / how to augment the organs, and this points a way or two.. there are some great moments here, thank you Carolyn and co, and thank you Ian and Celia..

https://vimeo.com/223425494       for the first number, and Carolyn's first intervention.

https://vimeo.com/223438261       with Carolyn and the Lakes Fiddlers.

https://vimeo.com/227594576       in the woods on the Cylinders Estate. 

On the way up I was talking to my pal traditional musician Mike Willoughby about  ritual / social music  and how repetition is a key element in both the music and the cycle of movements made by the dancers, Mike pointed me at his Melodeon hero John Kirkpatrick and a piece he wrote called Medley Mania. Kirkpatrick makes the case against medleys of tunes. Dont fear repetition, he says...

 "...Its traditional!  In a longways set, for example, it used to be the custom to perform the dance until each couple had been in every position up and down the set and ended up where they started. And they only played one tune for all of that time, which must sometimes have been half an hour or more. If they knew the proper set tune, they would play that. If not, they'd have something else up their sleeves which would do perfectly well. But from Playford's time onwards country dances were published with just one tune, no question about it."


 He goes further..

  "In some societies less "sophisticated" than ours, a trance - like state is achieved after dancing for a long time to a constantly repetitive accompaniment. Dancers and musicians unite in building up the hypnotic effect to eventually transcend the usual limitations of the five senses. They don't plod around to endless medleys. They throw themselves into it as though their life depended on it. For them it is a profound spiritual experience. Their life probably does depend on it."

More of John Kirkpatrick and the Merzbarn here and here...




DOC ROWE ARCHIVE COMES TO ULVERSTON



There is a real treat on offer for lovers of folk music at the Hope And Anchor in Ulverston on Tuesday July 4th, when Doc Rowe presents his film "Departed Friends" before the pub's weekly traditional music session. The film presents a sample from Docs' film library, and includes unique performances from many legendary performers including Mike Waterson, Dave Swarbrick, Louis Killen, and Lancaster's Sam Sherry.
British traditional culture holds some bizzarre secrets, and Film maker, writer, broadcaster and activist Doc Rowe is one of its great chroniclers . For over half a century Doc has been recording traditional singers, dancers, Mayday celebrations and local rituals, amassing an enormous archive of film, tape, photography and print.
    The Doc Rowe Archive is a treasure trove for anyone interested in folk song, vernacular arts and social history. An hour in Docs company is time well spent; he can take you from a Mob Football match in Derbyshire to a Sea Shanty session in Sidmouth via the Aldermaston Marches and the Horn Dance at Abbots Bromley. This is a great chance to meet Doc, see some of the giants of the folk scene on film, and then listen to the best of our local musicians as part of the build up to the weekend and the Furness Tradition Folk Festival.

The Film begins at 7.30, the music session follows, and admission is free of charge.

Tuesday 20 June 2017

NEWTON SCHOOL:ART, CARNIVAL AND PROCESSION

Surrounded by fields, hedgerows and gentle hills, Newton School sits on a winding lane between Dalton and Barrow in Furness.
Every year the school takes part in Dalton Carnival, the children make models or banners or decorate a float and parade through town .
These videos by Elizabeth Sampson from the Twitchers band give a real flavour of the day..




https://youtu.be/c3UX-ZJlZho

https://youtu.be/tb4o59n9S0c

These pictures show some of the work we've made with the school for carnival. The theme was flags and banners, and the boys and girls made stencil images of the beasts that roam their gardens and playing 
fields. 

The tradition of Whit Walks and May Day events is still alive, as Doc Rowe's work makes clear. In many areas the symbolism of the old fair days is less evident, although the impetus to gather and show off another version of local -and 
personal- identity survives in the present parades and carnivals. Barrow, Dalton and Ulverston all have their own
events. Dalton was once the centre of trade in the area, it's market days  would itself have developed from seasonal gatherings and attracted a fringe of traders and sideshows. In Ulverston the Hiring Fair on the Gill was the focus,  this space eventually came to be the site of a larger evening event, following a parade of costumes and floats from local businesses, totemic builds and elaborate costumes that  imbued spectacle with an echo of former ceremony and celebration. 

Many of the uncertainties that were fostered by the old hiring systems have returned, and their effects are apparent. The size and energy of these local events is often affected by economics. There have been some muted years, some gloriously defiant splashes of bravado, and sometimes there have been doubts that the events will go ahead at all but the tradition continues.  
  Dalton Carnival is enjoying a revival, the whole town gets involved and the gathering is again one of the big days in the calendar. With the help of their teachers, parents and friends of the school, Newton's boys and girls come down the hill into  and walk with Dalton's schools, traders, church and community groups to show off their skills and take their place in the public life of the town.The streets are lined with people who wave and applaud and then follow the procession to its conclusion, a gathering of floats and banners in a field in the centre of town. At this point, the sense of continuity is tangible.


Unless it absolutely hoys it down. Sometimes the weather changes unexpectedly and the event is pulled. Newton then roll up their flags and floats and whatever till the clouds clear, and the schoolchildren parade through their village. There is something intimate and appropriate about this; it emphasises the place the school occupies within this small village, and sends its' energy, colour and laughter to circulate through the streets and lanes.
This year we went along in support, bringing up the rear with a  pair of Backpack organists. 
Rain may have stopped play in Dalton, but there was a parade in 2017, just up the hill at Newton.

https://vimeo.com/227590950



We are very proud of our continuing relationship with Newton School.. 
There's more from a previous project here with writer Kate Davies at Dalton Castle here..

http://www.bifocals2013.com/education/4589880525



..and more pictures below...our thanks to the
 Sir John Fisher Foundation for their valuable support for our schools projects.